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DVD - Stage and Spectacle - Three Films by Jean Renoir (The Golden Coach / French Cancan / Elena and Her Men) - Criterion Collection

Sexual Astrology - DVD : Stage and Spectacle - Three Films by Jean Renoir (The Golden Coach / French Cancan / Elena and Her Men) - Criterion Collection




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Aspect Ratio: 1.33:1
Audience Rating: Unrated
Binding: DVD
EAN: 9780780028845
Format: Box set, Color, DVD-Video, Full Screen, Subtitled, NTSC
ISBN: 0780028848
Label: Criterion
Manufacturer: Criterion
Number Of Items: 3
Publisher: Criterion
Region Code: 1
Release Date: August 03, 2004
Running Time: 307 minutes
Sales Rank: 14831
Studio: Criterion
Theatrical Release Date: January 05, 1954




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Editorial Review:

Description:
Near the end of his long and celebrated career, master filmmaker Jean Renoir indulged his lifelong obsession with life-as-theater and directed The Golden Coach (1953), French Cancan (1955), and Elena and Her Men (1956), three delirious films, infatuated with the past, love, and artifice. Awash in jubilant Technicolor, each film interweaves public display and private feelings through the talents of three immortal film icons#Anna Magnani, Jean Gabin, and Ingrid Bergman. The Criterion Collection is proud to present these three majestic films by Jean Renoir for the first time on DVD.

Amazon.com:
These three Jean Renoir films were not conceived as a trilogy, but they fit beautifully together in this Criterion package: all luscious with theatrical color, wry in tone, and awestruck by beautiful women. When Renoir returned to Europe after his wartime exile in Hollywood, he first turned to The Golden Coach (1953), an international co-production shot in Rome. It contains all of Renoir's love of the theatrical life, as a traveling troupe of actors arrives in a colonial town in South America, and the leading lady (lightning-quick Anna Magnani) bewitches her many suitors--yet knows she is most brilliantly alive when she is on stage. The film was shot in multiple languages; this is the English, which Renoir preferred.

French Cancan is perhaps the greatest backstage movie ever made. Jean Gabin plays a stage impresario of the 1880s (surely a stand-in for Renoir himself), hatching a plan to revive the naughty can-can and school a young ingenue (Francoise Arnoul) in the rigors of art and life. With 1956's Elena and Her Men, Renoir relies on the effortless beauty of Ingrid Bergman, as a Polish princess juggling devotees (including Jean Marais as a smitten general, for whom love trumps politics every time). While not a woman of the theater, Elena understands the value of putting on a show.

The Criterion box is an authoritative pleasure (including the pretty packaging), featuring best-possible visual transfers. Excellent archival introductions to Elena and Golden Coach are delivered by Renoir himself, shot sometime in the 1960s; Peter Bogdanovich provides a solid 10-minute talk on Cancan. A one-hour-plus, three-part Renoir interview, conducted by New Wave filmmaker-critic Jacques Rivette, is spread across all three discs; Renoir is in fascinating, aphoristic form ('Intelligence is terrible. It makes us do stupid things'). Part of an informative BBC documentary, Jean Renoir: Hollywood and Beyond, is bundled with Elena. Essays by the likes of Andrew Sarris and Jonathan Rosenbaum provide context for Renoir's celebratory but unsparing look at the intersection of Art and Life. --Robert Horton



Customer Reviews
Average Rating:  out of 5 stars

Rating: 3 out of 5 stars - Renoir's post war confections
After the constraints of the US studio system, Renoir returns to France and more freedom. But this collection, while interesting for Renoir fans in showing his movement away from 'realism' and towards more and more theatricality, is uneven. In 'Elena', even Ingrid Bergman can't save the clunky, predictable plot and the rather crass humour. 'The Golden Coach' pushes theatricality to the limit and becomes almost hysterical. The gem in the collection - and that which makes it worth acquiring - is ... Read More



Rating: 5 out of 5 stars - A fine compilation of great films
This 3 disc box set by Criterion contains three of Jean Renoir's color films made in the 1950's.

The first film is "The Golden Coach" known in France as "Le carrousee d'or" it is the story of Spanish colonists in Central America. The film is intended as a comedy and contains some fine scenes. It is very well written and the Vivaldi score is great also. The film is in English which is rare for French films.

The second film is "French Cancan" which was previously released in ... Read More



Rating: 5 out of 5 stars - Renoir's color trilogy: funny, entertaining, yet profound
The three color films that mark Jean Renoir's return to Europe might be surprising compared to his classics 30's films like RULES OF THE GAME, LA BETE HUMAINE, TONI or GRAND ILLUSION, with which Renoir became prominent as a master of realism. For instance, always preferring to shoot on location rather than in studio environments (TONI was one of the first major sound motion picture to be entrely shot on location with direct sound recording; a revolution at the time).

THE GOLDEN COACH, FRENCH ... Read More



Rating: 5 out of 5 stars - Renoir Brilliantly Expresses His Love for the Arts & Life...
GOLDEN COACH (1953) - 9/10

Golden Coach is the first film of a loosely put together trilogy with themes of love and life on the stage made by Jean Renoir. This film is also a salutation to the French people as Renoir returns to to France after having fled during World War II and trying to make it in Hollywood. However, Renoir had much difficulty dealing with influential movie producers in Hollywood as they often kept Renoir under strict supervision. This supervision made Renoir feel somewhat ... Read More



Rating: 4 out of 5 stars - Party time for Renoir
Early this year, Criterion issued the definitive DVD of Jean Renoir's 1939 classic "The Rules of the Game." Now, the label lightens up with "Stage and Spectacle," a boxed set that makes a trilogy out of the splashy Technicolor films Renoir made upon returning to Europe in the mid-1950s.

Renoir was in a mood to party. He'd survived an unhappy decade exiled in the Hollywood studio system. The director felt liberated, much like his homeland, France.

And so we have two bawdy celebrations ... Read More



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